“We’ve thoughtfully curated a repertoire for this concert, aiming to captivate not only classical music enthusiasts but also elicit a standing ovation from every member of the audience.”
World-renowned soprano Sumi Jo arrived in Los Angeles on August 7.
She is set to grace the Walt Disney Concert Hall at the Music Center with a performance titled “Harmony for the Future,” commemorating the 70th anniversary of the U.S.-Korea alliance. The concert will take place at 8 p.m. on August 11 (Friday).
The Korean Cultural Center of Los Angeles has announced the distribution of 700 free tickets for the event, excluding invited seats. Following the formal announcement, the number of applicants surged, sparking considerable interest within the Korean community.
Sumi Jo’s illustrious career was inaugurated with her triumphant debut as Zilda in Verdi’s opera “Rigoletto” in 1986. This year marks the 37th anniversary of her debut on the world stage. After an eight-year hiatus, she is returning to the Los Angeles stage to showcase her favorite operas and Korean songs.
A press conference was held at the Korean Cultural Center in Los Angeles on August 9, where Jo addressed the media. Here’s an edited excerpt from Soprano Sumi Jo’s interview with reporters.
– How do you feel about performing to commemorate the 70th anniversary of the U.S.-Korea alliance?
“The present-day freedom and prosperity of Korea are the outcomes of many individuals’ sacrifices. I am thrilled to present the finest gift that music can offer for this momentous occasion that celebrates the alliance and peace between Korea and the United States. Additionally, my appointment as a UNESCO Artist for Peace in recognition of my contribution to global peace through music adds deeper significance to this performance.”
– This is your first encounter with the audience in Los Angeles in eight years. What are your expectations for the performance?
“Our recent shows in Seattle and San Francisco were incredibly impactful, showcasing Korean hospitality akin to a K-pop concert. Los Angeles feels like home, a place where I have been granted numerous operatic roles, including performances at the Hollywood Bowl and Music Center. I anticipate that individuals attending classical performances amidst their busy lives as immigrants will be uplifted and united through the power of music.”
– You are venturing beyond classical music into new territories. What drives these challenges?
“‘Embracing beautiful challenges’ encapsulates my motto. Since the year 2000, I’ve broadened my career beyond the confines of an opera singer. This expansion includes the release of classical and crossover albums, an Academy Award nomination for the theme song “Simple Song #3” from the movie “Youth,” the OST “If I Leave” for the drama “Empress Myeongseong,” and Netflix’s Take 1. My journey has been supported by countless individuals.”
– How did you curate the songs for this concert?
“Choosing from over 1,000 songs in our repertoire is an intricate task. Song selection bears immense importance and often keeps me up at night. The primary consideration is the audience. We have meticulously curated a repertoire for this concert, aiming to resonate not only with classical music aficionados but also to garner standing ovations from every member of the audience.”
– Could you talk about the stature of K Classical?
“The caliber of K Classical artists is of the highest order globally. Last year, I served as a jury member for the vocal section of the Queen Elizabeth International Competition, ranking among the world’s top three competitions. Among the 64 vocal finalists, 18 hailed from Korea. Korean musicians have already secured victories in categories such as voice, violin, and cello. It is heartening to think of the accomplishments of Korean artists.”
– What lies ahead in your schedule?
“The tour will extend across Korea and the United States. In July 2024, I am planning to organize the ‘First International Competition of Sumi Jo’ at Château de La Ferté-Imbault near Paris, France. Last year, I was appointed as an ambassador for EXPO 2030 Busan to help bring EXPO 2030 to Busan. I am also devising a strategy to support young musicians in presenting their talents on stage. Since my initial European debut in 1986, the mantra ‘Korea First’ has resonated within me. This enduring belief underscores Korea’s pursuit of excellence.”
BY EUNYOUNG LEE [lee.eunyoung6@koreadaily.com]
